Features

Tools for finishing long work, one by one

A story is not a conversation. We found the places where long-form writing breaks and built a tool for each.

Story Bible
Chapter mode
Screenplay mode
Manuscript feedback
Voice
Adaptation

Story Bible

A Bible the AI actually reads

Keep characters, places, world rules and open threads as cards. Whether you continue, rewrite or expand, the AI first picks the cards relevant to the current scene and reads them. As the Bible grows, your prompts don't.

01Character, place, lore, thread and glossary cards
02Only scene-relevant cards are selected
03New characters in your prose become suggested cards
04Tracks which threads are paid off

A cork board with pinned character sketches and a map, cards linked by orange thread

Story Bible

CharactersPlacesThreadsGlossary

Character
Jian Seo
27, last ferryman on the Black River. Left-handed. Never calls the old man father.
Used in ch. 12
Character
The old man
Unnamed. Crow mark on his sleeve.
Used in ch. 12
Thread
The knife's engraving
Planted in ch. 3. Not yet paid off.
Used in ch. 12

Reading 3 cards relevant to this scene

Chapter mode

Write to the length your platform expects

Set a target and a cut point for every chapter, and count words or characters the way your platform does. The AI fills the scene inside the target and checks whether the ending pulls readers into the next chapter.

01Target length with live progress
02Word, character and no-punctuation counters
03Chapter-ending hook check
04Presets for serial platforms

A phone showing a chapter draft beside a teacup on a dark wooden desk at night

Ch. 12 How to Cross · Serial preset

Jian did not put the oar in the water.

The river was black again tonight, and across it, in the reeds, a single light was burning.

“You know you don't come back once you cross.”

WordsCharactersNo punctuation2,140 / 2,400 words

Hook checkLast paragraph ends on a question · pulls into next chapter

Screenplay mode

Automatic scene numbers, proper cues, industry format

Write TV and film scripts without fighting formatting. Scene numbers are assigned automatically, and action, character cues, dialogue and parentheticals are real styles, not spaces. Move a novel into script form scene by scene.

01Auto scene numbering with location and time of day
02(V.O.) (O.S.) (CONT'D) cues and dialogue indents
03Hollywood INT./EXT. and Korean drama formats
04Fountain, FDX and HWP-compatible export

Screenplay pages and a clapperboard under a desk lamp

Part 3 · The Landing

HollywoodKorean drama

12 EXT. BLACK RIVER LANDING - NIGHT

Fog. JIAN stands with the oar, not moving. Across the water, one light in the reeds.

OLD MAN (O.S.)

You know you don't come back once you cross.

JIAN

(touching the knife at her hip)

I know. That's why I'm going.

13 EXT. THE RIVER - NIGHT

FountainFDXHWP-compatibleDOCX

Manuscript feedback

Reads like an editor, points at the line

Structure, pacing, point-of-view drift and Bible conflicts, ranked by priority. No padding with praise. Each note is anchored to the manuscript, and you decide what to change.

01Structure, pacing and POV checks
02Lines that contradict the Bible are flagged
03Sorted by priority
04Your text is never edited silently

A handwritten notebook and fountain pen under lamplight

Ch. 12 feedback · Structure · Pacing · Continuity

Bible conflict
Jian grips the oar with her right hand — Bible: left-handed
Pacing
Paragraphs 2–4 are all landscape. No dialogue for 600 words
Thread
The engraving appears for the first time since ch. 3. Mark as payoff started?

Voice

Continues in your sentences, not its own

A few thousand words are enough to build a voice profile: sentence length, dialogue ratio, description density, tense and distance. Continuations stay inside that profile, and tell-tale AI phrasing is filtered before it reaches your page.

01Voice profile extracted from your manuscript
02A different voice for every project
03Filters tell-tale AI phrasing
04Keeps tense and point of view fixed

Black ink and gold dust bleeding across cream paper

Voice profile · The Ferryman of the Black River

Avg. sentence 14 wordsDialogue 34%Past tense · close thirdSparse descriptionExtracted from 4,100 words

Generic AI

She gazed upon the river with a profound sadness, contemplating the weight of her destiny.

Profile applied

Jian looked at the river. Not for long.

Adaptation

Prose to script, script to prose

Break a manuscript into scenes and carry it into a TV script, a feature screenplay or a webtoon storyboard. Pitch documents and episode grids come from the same Story Bible. You reorder scenes and fix lines on cards; the AI writes in that order.

01Manuscript → scene cards, automatically
02TV, film and webtoon storyboard formats
03Pitch document and episode grid
04Script → prose, the other way round

An open book with a thread of light turning its pages into screenplay lines

Adaptation · The Ferryman of the Black River

TV scriptPitchEpisode gridWebtoon board

SourceChapter 3 · A promise by the river (3,200 words)

SC 12EXT. RIVER LANDING – NIGHT
Jian offers the ferryman a ring instead of a coin.
SC 13EXT. FERRY – NIGHT
Dialogue in fog. The ferryman never asks her name.
SC 14EXT. FAR BANK – DAWN
Jian looks back. The boat is already gone.

3 scenes · 5 Bible cards referenced · reorder freely

Export

The manuscript is always your file

Export never costs credits. Take the whole project at once, in the format the destination expects.

DOCX
Novels · submissions
TXT
Paste into serial platforms
Fountain
Open screenplay format
FDX
Final Draft
HWP-compatible
Korean broadcast and film